Sharp Objects by Gillian
Flynn
Sharp Objects is the first of
Mrs. Flynn’s novels I read. It’s also probably her best, in my opinion. Sharp
Objects tells the tale of a Chicago reporter to returns to her Midwestern
small-town girlhood home to write a story on the death of two young girls.
Returning home, she quickly gets caught up in the small-town madness infecting
the town.
Flynn uses language
effectively, often choosing just the right word to convey her sordid meaning
and misanthropic portrait of… everyone. (She is particularly hard on women; the
attention-seeking collection of weak-willed evil creatures, and a few of the
scenes which fill this novel make the writer come across as a bit of a
misogynist. Were she male, I would have lumped her in with the likes of Al
Goldstein.) The world she presents is unsettling, dimly reminiscent of Chuck
Palahniuk in its grimy post-industrial, post-modern dysfunction.
The mystery itself is
compelling, but unfortunately, the plot quite runs away from the novel and ends
up being nearly ridiculous at points. It turns out, from my perspective, this
is pretty much a common thread throughout all three of her novels; the actually
events that occur end up being so ridiculously unbelievable and out of
character that the novel falls apart.
Still, I found Sharp Objects an
interesting enough first novel that I was eager to read her followup, Dark
Places.
No comments:
Post a Comment