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Showing posts with label post-modern. Show all posts
Showing posts with label post-modern. Show all posts

Saturday, September 12, 2009


Waiting for Godot by Samuel Beckett

Since I wasn’t a theater guy after high-school, I missed out on Beckett earlier in life. But after Rushdie quoted him in one of his essays in Imaginary Homelands I became intrigued and decided to dive into his most famous work. Waiting for Godot is a compelling, hilarious, though-provoking piece in which, as a famous critic once said, “nothing happens. Twice.” It’s almost true that the purgatorial setting and nearly nonsensical dialog between Vladamir and Estragon are beyond puzzling. So much has been written about this intentionally opaque work that it’s hard to imagine anything I can add, except to say that I thoroughly enjoyed reading the play, and enjoyed even more trying to interact with Pozzy, Lucky, and the text after the fact, in ways that I think the author might well have appreciated.

(What do I think? I think that despite Beckett’s denial, Godot is God, the men are in Purgatory awaiting a conclusion or judgement on their lives. I think that Vladamir has a venereal disease and that Pozzo is a demon of some sort who is punishing the hapless ‘Lucky’ who is a standin for mankind as a whole.)

Saturday, July 14, 2007


In Persuasion Nation by George Saunders

“Slap it up your wack!”
Saunders has written a collection of hyperactive, highly post modern short stories which fall somewhere between Vonnegut, David Foster Wallace, and Chuck Palahniuk. They shout, sing and dance their way across the pages, and are, frankly, delightful, funny, sad and cynical. Characters include ghosts, Jesus freaks, puppets, a Slap-O-Wack bar, market research subjects, monkeys, salesmen, television show characters, and even a talking orange.

Some of the tales are a bit tedious, or make their points with all the subtlety of a meat cleaver, but others are complex and beautifully written. The one about a bad Christmas among Chicago’s working class and the tale of the two old women both come to mind.

Generally, the social commentary rails against consumerism and advertising, but there are a host of other modern dilemmas that crop up here in various guises, some deep and involved, some quickly sketched from the notebook of a 10th grader infatuated with Ad-Busters.

Lots to like here, and I’m eager to read more of what Saunders has written.