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Friday, May 10, 2024

 5.10.24

Does approaching an act of creation as a commercial enterprise inherently devalue the act?

 

Two different entrepreneurial colleagues have offered perspectives on this topic over the last few days and I think it is worthy of consideration.

Let’s imagine two different acts of creative genesis:

In the first of these, a painter recycles a canvas, combines the last of their acrylics, and sets out to capture the feeling of a sunny afternoon in a lovely field near their home. They have no expectation of anyone ever buying the resulting painting, they are carving out the time to do this work from some other more lucrative pursuit.

In the second of these, an artist is hired to generate six pieces of pen & ink concept art for an upcoming video game; they are given a particular style target (Zach Synder meets Hokusai!), a deadline, a target number of images, and a per diem.

One of these is clearly a commercially minded enterprise which will result in the generation of artwork. The other of these is a personal expression which will result in the generation of artwork.

Does intent matter in the creation of art in the way it does in, say, the commission of murder?

These two entrepreneurs  both independently advised me of the following:

“Do not pursue a new startup venture with a goal of succeeding in a particular business outcome; instead focus on creating a business that will expose you to problems and opportunities and people you are interested in.”

Both of them effectively argued that the profit motive will create undue stress and rob the exercise of joy such that you, the creator, will end up making bad decisions for the wrong reasons and will be much more inclined to quit when the going gets tough than if you were pursuing the effort primarily because it was something you were intellectually, emotionally, or creatively passionate about.

While on the surface this again feels like the Steve Jobs “follow your passion” type argument that we explored and dismissed a few days ago, I do think there’s something here worthy of consideration.

Creating things IS sometimes easy and often quite hard. The usual travails of life regularly make it difficult to stay optimistic, or even to stay focused on the task at hand. But inner fire for the act of creation likely IS a far stronger fuel to at least ensure you have the stamina to stay in the ring.

When creation is a job you have another choice if it gets hard: you can go get a different job.

When creation is an innate desire, you may well need to take other jobs, do other things to satisfy the conditions your life demands, but you will keep creating all the same.

This post is so flavored with the spirit of Sherry Fields, who has ALWAYS created artwork, mostly without any real expectation of profit, in all the many different seasons of her life.

So, thanks, Mom, for embodying the ethos of the lifelong creator. You have given me an example of what it looks like to compulsively create even when life put other demands on your time.

Approaching the act of creation as a commercial enterprise doesn’t inherently devalue the act; but it doesn’t give you the stamina to keep creating things no matter what.

Thursday, May 09, 2024

 

5.9.24

Weezel sent me two horror novels by this, her favorite horror writer just as soon as she heard I might finally get to come up for air for a few weeks. I read them both quicky; this is the first.

The Devil Crept in by Ania Ahlborn

There’s a young pre-teen boy and his best friend cousin type disappears! But then he is found, but when he comes back, the isn’t quite right because… He was abducted by this eeeevil house in the woods! Where an old lady looks after her demonic offspring who has been kidnapping and glamoring (and sometimes eating) cats and dogs and is ready to move on to bigger prey. Which he does! Wickedness ensues.

The Bird Eater by Ania Ahlborn

Upset by the death of his son a guy returns to his childhood home in Wherever, Arkansas. But it’s an eeeevil haunted house! The Bird Eater lives there! And the man tries to wrestle with some psychological and substance abuse demons while hanging out in a haunted house, as you do. Wickedness ensues!

 

Thanks for the two fun horror novels, Weezel! They were a great palate cleanser and a good reminder that as tempting as it might be, you really don’t need to overly complicate a scary story to make it work.

One of the things I found myself contemplating while thinking about these two was about cliché, and how and why they work so well in storytelling. It’s often very tempting to want to defy cliché and steer far clear of it, and yet… When an audience wants popcorn, when they WANT to understand what is happening and digest it quickly to feel smart or in the know – (“Get out of the house, you fool!!!”) – you don’t do them any favors by going in a different direction or subverting their expectations.

How should we think about creativity and breaking new ground for narrative structures where the audience wants to get what they expect?

Makes me remember guidance from an old mentor of mine, Steve Barcia, a great game maker. He once told me, “Every game should be 80% familiar, only 20% fresh. More than that and the players are disappointed by not getting what they expect.”

And, of course, over time, as audiences consume more and develop a greater repertoire of story arcs and characters they immediately grok, presumably the 20% for each work that is truly fresh can ever widen, as our 80% lake of familiar grows ever deeper.

Makes me think of a conversation yesterday with a friend who had just read Hesse’s Siddhartha for the first time. We agreed that while the idea of someone turning away from the cultural sicknesses of the Industrial Revolution in Western Europe and seeking spiritual enlightenment in the Far East may have been fresh and influential in 1920, by now it’s so beyond cliché that a Nolan Batman film need devote more than about 20 seconds to the montage in which, “Then Bruce Wayne goes to India and becomes a spiritual badass.” (Or was that Dr. Stephen Strange? No matter.)

Audiences love cliché because they get to be in the know, and it helps them shortcut complex ideas that have already become part of the 80% Lake of Familiarity.

Wednesday, May 08, 2024

 

5.8.2024

Why should you care about creating anything?

A couple of different reasons sing to me:

First, it’s fun.

Second, it’s one of the only ways to fight back at the existential void that threatens most anyone who is thinking about why we are here and what it all means and all those other 3am kinds of questions.

Third, it can make the world better. (I just read this month’s Gates’ Notes this morning and am reminded of how much good we can do when trying to indulge the desire to create and coupling it with a desire to make the world better in measurable ways.)

Fourth, it can allow you a way of connecting with other humans in a pleasurable way.

Fifth, it can materially improve your life and the lives of people you love.

At Kabam, number 3 and 5 were two of the philosophies that I tried to speak to the staff about regularly. There’s a lot of value in reminding – aligning – people on why it is that they care about what they do professionally. Indeed, I’m not really sure there is much more important as a leader. “Teach them to yearn for the sea,” and all of that.

So then let’s get personal, since I’m the only one reading this:

I want to create more things.

And over the last few years I do not feel like I’ve been able to do much of that. (Game Development 2042, which I finished in 2021, was the last successful creation that I can think of, though there are a few other fun things in the works.) So I’ve spent a lot of the last week of (relative) down time thinking about what I want to be true going forward, professionally and personally:

 

  • I want to spend at least some of my time each day creating something new.
  • I want to work each day alongside people I like, respect, admire.
  • I want to create things that delight, entertain, or make the world better.
  • I want to do things that add create significant value and enrich the lives of everyone involved.

Over the coming month I will spend more time thinking about what specific opportunities I have to indulge these desires.

 

And I’ll let Word return to books for a bit.

Tuesday, May 07, 2024

 

5.7.2024

But wait a minute… Haven’t you basically just justified any job as an act of creation? Seems like you’re stripping the word of any real meaning. I’m pretty sure being a middle manager at a Burger King isn’t a creative act that will lead to immortality.

To start, I think there is dignity in most any work. So any snide comments about fast-food restaurants do us no credit. “Labor disgraces no man, though some men disgrace labor!”  

There’s an interesting diatribe here about the way that mass-market labor and capital have fundamentally changed some of the pride of craftsmanship that likely existed for many types of work in previous generations. Imagine a cook in Japan at a ryokan, selecting whatever produce or catch of the day is the freshest, combining them thoughtfully, preparing meals for each weary traveler in accord with what the cook might imagine would appeal to them. Consider the precision of the cuts, the savoring of each flavor, the pride of creating, say, a perfect tomago. Is cooking a satisfying act of creation? It absolutely can be. Inherently temporal, certainly, but the recipe and techniques can grant immortality; just ask the Earl of Sandwich.

So why would working as a line cook in a fast-food chain seem to be something different? The insulting adherence to minimum-wage and not-a-penny-more. The relentless beeping of machines that are designed to standardize the timing, each meal an idealized version of whatever the food-photographers artfully presented to the focus test groups, every action choreographed to increase efficiency, reduce operating expenses, maximize return on invested capital. There’s no act of creation here for the fabricant line-cook living in this Papa Song hellscape. What’s the difference?

Following instructions, a process, a system to achieve a known outcome, is fundamentally different than an act of imagination, a creative impulse to generate something new that didn’t exist before. Standardization and reduction of unknown potential outcomes feels anathema to the act of creation.

But doesn’t a master craftsman, who has, say, sculpted with a type of stone ten thousand times have a process carefully designed and honed to minimize unexpected outcomes?

Yes, perhaps. But these are techniques designed to maximize the chance for the craftsman to create the thing they want to build.

The genesis act remains central to creating something, even if process to minimize risk and maximize return has built up around it.

But the vision or imagination of human creators has to be at the epicenter of the act. 

Monday, May 06, 2024

 

5.6.24

Can facilitating or managing creative work be an act of creation?

 A few years ago a friend and mentor, Aaron Loeb, described his role at Scopely to me as that of a Creative Executive or words very close to that effect. He described this as a role that “helps creators go achieve their vision.” And at the time the description stuck in my mind (and made me raise an eyebrow.) Yes, we all want to imagine that by helping facilitate the acts of creation that others can undertake that we are – in some small way – creating something.

But are we?

This topic is (like most of this sequence) obviously somewhat on my mind because I am clearly working through my recent roles in the games business, as a creative, and contemplating how I want to spend the remaining time I have on this earth. So let’s sketch out the journey from creator to “Creative Executive” whose primary job is to build environments in which other people get to create.

I started as a creator; an artist and an animator, a game designer, a storyteller. My official job titles involved these kinds of things for the first few years. But quickly it because clear that I could accomplish a lot more by helping get other people excited about the mission, the game usually. “Lead Designer” was probably the first role I had where I officially should have spent more time helping other creators build things than building them myself. I think many of the worst outcomes that I experienced during this time was as a result of trying to continue to also work as an individual contributor to games and not just leading and managing others.

When you make games for a living, if you’re like most of the people I know in the business, you end up working on far more games that never go to market than games that do. While getting games killed and killing games is always a slightly bitter pill, the guidance to “murder your darlings” is good. It’s good in creative efforts and it is particularly valuable in commercial creative efforts. It’s easy to come up with an idea, and it is painfully easy to fall in love with an idea. You can devote (that word again) lots of time to building the wrong thing; this is time wasted. And so getting good at killing games and reevaluating what a team is working on is critical. It’s not actually a bad thing that many games get killed early in their creative lifecycle; this is the basis of a functional gate-system, which any developer or publisher needs.

And in time, what becomes clear as a game designer, as a creator, is that most of the reasons games get killed often have little to do with the merit of, say, the design or the art style. Market dynamics, lifetime P&L, cost-of-capital, ROIC, and many far less sexy elements of the business side of creating consumer products (which is exactly what commercial game development is) end up deciding which games should live and which should have a small funeral before too much time or money gets devoted (!) to them.

This leads many creators, as they gain experience and lose a lot of games, to increasingly shift their focus to the business side of things. You end up moving from creator to Creative Executive because the B2B deals, securing financing, making sure teams have the right people, and the dull mechanics of accounting end up being many of the biggest risks to ever getting the games you want to make made.

If I were to describe the job of a Creative Executive, or a CEO, or other leaders of game development studios and publishers, it would be this: Your role is to ensure a healthy ecosystem which increases the likelihood that your teams are able to create the most beloved and commercially successful games possible. You’re a farmer whose job is to think more about water, sunlight, the Ph balance of the soil, and the talents of the other gardeners who will work the land than it is to lovingly dig each hole by hand, or even always select which seedlings should get planted.

This kind of role is inherently the job of the Creative Executive. It’s harder than actually throwing yourself into creating something. It’s less rewarding in most ways. But there are some advantages. Let’s think about them for a moment:

-          There’s great joy in getting to mentor and experience vicarious pride from the successful creative efforts of others. Watching a studio GM ship something amazing and their team get rewarded by fans, media, and financially can be quite satisfying. You know you helped and played a big role in that success and it feels good.

-          There’s less obligation to be slavishly devoted (!) to a single project or game. While each of the games you’re trying to help succeed are important, they often benefit from a more measured level of involvement. When the team knows what they are doing, has what they need, and the organization is ready to help them bring it to market effectively, you can limit the amount of time you spend on that project. Don’t throw people off balance when they’re in a groove.

-          Many games don’t work. When a game doesn’t work, the team who is focused on the game often get laid off. Helping lead a portfolio of projects acts as a hedge against a single failed projects. This is true for an individual as it is for a company.

-          Because the dollar values you’re responsible for are (much) higher typically, the compensation is often better at a leadership level than it is for individual contributors. This may rankle, but it is the case for most businesses.

So is facilitating or managing creative work an act of creation?

Yes. What you are creating is something different. You are building teams, companies, projects. But when it works, you definitely HAVE created something that did not exist before. Indeed, the act of “value creation” is likely the primary job of both the entrepreneur and leaders at publicly traded companies.

And it can be a very satisfying act of creation indeed.

Sunday, May 05, 2024

5.5.2024

But what is all this pretentious shit about “immortality?”

Why does this concept matter to you, and – more specifically – why is this a valuable lens for looking at the act of creation through? Is it?

“Great is the enemy of good,” it is said, and there’s definitely something to this. There are likely a hundred thousand Great American Novels that have never actually been started. Worrying too much about the longevity of a piece (or a whole category, like video games) of art is the opposite of sparking the desire to create something new. It invites the creator to obsess and worry over something being good enough to last rather than encouraging them (Me! You!) to roll up our sleeves and just do something, create something, make something.

And, it is true too that many of the acts of creation we revere were never thought of much during the creator’s life. Emily Dickenson, Vincent Van Gough, and so on. Worrying about someone – anyone – liking what you’re trying to create is a dangerous game. Bertrand Russel goes so far as to even tell you that if you’re writing or creating something to try to impress or appeal to someone else then you’re doing it for the wrong reason.

Of course, this level of “follow your dreams” talk sounds a little bit like the advice of someone who inherited an Earldom rather than having to work for a living. Recently I believe Professor Galloway called out this kind of Steve Jobs advice as being the kind of guidance that only the wealthy can give out to the young; and it does sound a bit out of touch. Creation with a capital-C, and any concept of immortality resulting from the acts of creating seems far-fetched, dreamy and naive in a time of constant tech layoffs.

So how to think about creation as a profession or even just a job?

Let’s fall back on my experience:

I said before that I’ve met very few game makers who do it for the money. And this is true to a point, but it is also true that creating software, or books, or music, can be a successful commercial venture. Indeed, there are billions of dollars that go into creating consumer industries around building and marketing each of these kinds of “Art.”

“Is commercial art really Art?” sounds like the kind of question I can imagine art school undergraduates in the sixties asking one another. There’s an inherent yawn in the question; like if you can even be in a room where someone is asking it you already were raised with some kind of silver spoon. And, worse, there’s something in this line of inquiry that inherently feels like people who aren’t successful commercially, or worry they won’t be, trying to hide behind the fig leaf of some higher calling. “Oh, my work is too deep or edgy for people to get it; I’m an artiste, not some crass cog in the capitalist machine.”

I think this is an adolescent, seductive rabbit trail to get lost in. There’s nothing wrong with creating things that people like. Mass market success IS success, though it is not the only thing that matters. In our culture (in most every culture I’m aware of ever), people expressing excitement about what you’ve made, through patronage, through album sales, though in-game micro-transactions IS a very validating way of knowing that you’re doing something – creating something – that people value. “Your dollars are votes.” This is how many people express appreciation in our culture.

So let’s agree that there is nothing about being popular, commercially successful, or even pursuing commercial success that invalidates the act of creation.

And worrying too much about how popular or successful – how immortal – a thing might be can pour cold water on the act of creation.

Which takes us to the next question.

Can facilitating or managing creative work be an act of creation?

Saturday, May 04, 2024

 

5.4.24

But what about games?

I’ve spent my adult life-to-date creating entertainment. Yes, I've published a number of books, and written many many more, but mostly, were I done today, my life would be remembered (to the degree that it would be at all!) as a creator of video games. 

Thirty years ago this fall two young geniuses from Borland, David Stafford and Eli Boling, took a chance on an unpolished kid in Austin, Texas. I was honestly surprised when they offered to pay me; I barely understood games an a business at that point, it was a craft. And from there Eclipse Entertainment to Digital Anvil to Microsoft to Electronic Arts to Certain Affinity to Capcom to Kabam to Hasbro and that’s half a life gone by. Devoted – and I use the word with all it implies – to creating video games and software and, later, creating the teams and companies and conditions that allow them to come to life, to entertain the world.

Some of those adventures have been right down in the hot sweaty details of creating, designing, birthing games. Working with obsessively devoted creators, whole teams of them sometimes. Other times it has been a more managerial or clinical approach – all spreadsheeets and the court politics that use favor to decide funding. Certainly the acts of creation are more inspiring, more exciting, but both are necessary for bringing video games to millions of players around the world.

But are games art? Is the creation of video games bringing us as creators closer to immortality?

Games can be art. There’s just no doubt about this in my mind. Consider the moment with the giraffe in The Last of Us. Consider early Electronic Arts advertisements asking, “Can a video game make you cry?” Consider beautiful works like Journey or Flower or Sky. Consider the cultural impact of games like Grand Theft Auto, or – more darkly – the role of first-person-shooters in the debate about incel violence after Columbine. Games combine audio, visual, mechanical interactive elements to transport players, bring color to lives that are sometimes grey, create heroes, allow the lonely to make friends. They can make you think differently, even argue for a perspective. Games can be art.

But do they have the lasting power of the Word? Or are they inherently more akin to the lake-water calligraphy: temporal, performative, fleeting?

I think of this in two vectors.

First, video games, by their medium, are inherently temporal. While Frogger may live on in MAME cabinets or a few niche retro consoles, the Atari 2600 is – mostly – a thing of the past. And the lack of real portability or interoperability between generations of consoles (without a great deal of work from dedicated teams at Microsoft and Sony) mean that, for the most part, games disappear each year. Brute Force isn’t playable anywhere anymore (that I’m aware of.) Which means the passions and camaraderie, the sacrifice – the devotion! – of that group of young men (all of us were men almost back then) are mostly evaporated. Thousands of games disappear each year from public accessibility, and then they are gone. And, for the most part, they will not ever be resurrected. The epic of Gilgamesh, the (prophetic!) verses of a Shakespearean sonnet can live on and be reproduced for new generations. Most games will not.

Second, a person could argue that anything which touches lives and lives on in memory is still around. I like this argument, it makes a creator feel good to think that people remember a game or a character you’ve created. And people regularly tell me about this game or that and how it touched their lives. Indeed, I used this line of justification for many years to try to help teams be inspired to create great things. And despite what a few cynics (thinking of you, Chip) may have suggested, I genuinely believe that we can make the world better by creating entertainment that touches so many lives. This is not, has almost never been, just a cynical commerical enterprise for me, or for most of the games makers I've known over the last three decades.  

However, I do not believe this pursuit can mostly reach the level of longevity that I think would have to be required for approaching real immortality. Games touch lives, sometimes many, then maybe persist for a generation or three tops. And then they are gone. Lara Croft will still exist in the public mind in 2050. But in 2100? Doubtful. Mario for another hundred years perhaps. But even then, these are characters, caricatures, tropes even. Iago is not the text of Othello; he’s a character trope of a villainous jew. And at 400 years, he has lasted far longer than most. Can you name a video game character that will still exist in the public mind in 2424? I cannot make a compelling argument for any.

Video games are a delightful pastime for millions. They are – at times – a great business. They can entertain and elevate. They can certainly be art.

But I am doubtful that video games as an artform will convey immortality to the devotees who create them.

Friday, May 03, 2024

5.3.24

And what do we mean by “becoming immortal?”

In the damning, powerful conclusion to Lolita, which has been quoted here before, Nabakov’s anti-hero Humbert speaks of extinct aurochs, the secrets of durable pigments, prophetic sonnets, and the refuge of art. He tells his doomed and already dead lady-love that these are the only immortalities they may share together.

Rushdie returns to the idea again and again, speaking of the power of poetry to preserve forever something of Victory City, now only present in the breathtaking ruins of Hampi. He talks about the power of Russian writers, executed by Stalin for their dissidence, but whose work has outlived the USSR. He harkens back to a Cairo poet, stabbed to death by a medieval radicalist. He conjures the specter of the dead cartoonists of Charlie Hedbo, reminding us that je suis Charlie remains as a cry of support for creators, even when those who murdered them are long forgotten as a footnote to the dying gasp of medievalist theology.

I suppose these thoughts – the notion that the art created can outlive oppressors and make up for misdeeds in life may be particularly appealing to a pedophile like Humbert (or a subversive like Nabakov) or to a writer like Rushdie whose works of tragic-comic subversion have made him a hunted man for so many years of his life. But in reflection, I think the hopeful truth advanced here is more broadly applicable.

Does all art have to be long-lived, or at least have the potential, to be valuable?

I am reminded of two forms of art which stick with me though they were inherently designed not to.

Once in Beijing while walking near the White Degobah on a lovely lake near the center of the city, I watched an older man with a large brush painting. The brush was nearly the size of a broom, and he was drawing the most beautiful calligraphy. Complex brush strokes of elaborate Hanzi, each word or letter beautifully crafted, though their meaning was indecipherable to an ignorant laowei like me. And after each character he would dip his brush into the water of the lake, and soak up more of the water that was his ink.

When I saw him he had clearly been at it much of the morning, and the characters behind him were evaporating. Was he writing an ancient epic poem? Critique of the government? A personal confession? I will never know, and after an hour or so, no one else would either, I suppose. This was one of the most beautiful displays of intentionally temporal art I’ve ever witnessed.

I think too though of friends who get together to jam improvisational numbers with bandmates. While some of the riffs they employ may have earwormed their way into our collective psyche and live on and on, most of their creations are defined by the serendipity and inherent fleeting nature of something created really just for the short term delight of the creator and any witnesses lucky enough to be present.

So some acts of creation are valuable – wonderful art even – but have no chance at immortality.

There is a certain caprice and wry acceptance of one’s mortality in this kind of creation. I would love to talk to a performance artist who loves this kind of thing. I’d like to ask them why they employ such skill and craft only to create something that cannot possibly last, and will inherently disappear without touching too many lives.

The act of creating many things (though not everything) has power to outlive the mortal span of the creator. And while even the great works of Ozymandias may eventually turn to decay, lost in the lone and level sands, the words of Percy Shelly will not. The stories of Rushdie, the verse of Kahlil Gibran, and the writing each and every one of us can do has at least a chance of touching lives, being reprinted, transmitted, and living forever.

Mighty stone edifices will eventually be worn down by wind and water, sculptures crack are swallowed up by fissures in the earth, or are left behind when the ships leave for the new world. Even the secrets of durable pigments may prove to be less durable than the painters who wielded them might have hoped. These are all still very worthy acts of creation; far more likely to endure generations than your 401k.

But because they can capture and transmit an idea, the form of art which is both the easiest and cheapest to use to at least try for immortality is the Word. 


Thursday, May 02, 2024

 


To all of the creators out there: Keep at it. 
You are becoming immortal with every new thing you make.

 Trying by Yamadi Hobi and Elise Hurst

Trying is a lovely storybook with beautiful illustrations. It tells the story of a young person who is intimidated by the fear of failure, and the sculptor who encourages them to keep trying, keep creating. The Weezel sent it to me for my birthday, and the timing couldn’t have been better. I read it again this morning in the sunshine above the Salish Sea, thinking bright thoughts about the future and all the things I want to create.

Thanks, Weezel! 






4.26.2024

4.26.2024 
After some years that felt fairly derelict, I want to get back to writing about creativity and creation. 
 
I think that I shall resurrect Word as a place to do that. 

I’ll go back to reviewing each book I read, and also more broad writing on creativity and the importance of the act of creation to humans. 

Books this year so far: 
The Conquest of Happiness by Bertrand Russell 
The Problems of Philosophy by Bertrand Russell 
The Devil Crept in by Ania Ahlborn 
Trying by Yamada Hobi and Elise Hurst

Friday, March 26, 2021

RIP Larry McMurtry

https://www.nytimes.com/2021/03/26/books/larry-mcmurtry-dead.html Uva uvam vivendo varia fit. -tf

Sunday, June 03, 2018

Blankets by Craig Thompson

Blankets by Craig Thompson

Blankets is a charming, innocent, long format graphic novel. My friend Molyx gave this one to me for my birthday. With the exception of Moore’s The Watchman, this is the first graphic novel I’ve read that had designs on being considered serious fiction.

Blankets tells us the story of a young man from the American Midwest. He and his brother grow up in a highly religious household, obsessed by “the torments of Christ.” At church camp he falls in love with a young woman. They correspond, have a two week visit during her family’s implosion. Everyone grows up.

Thompson beautifully captures the magic and tenderness and heartache of first love, adolescent grappling with religion, set against the snow-becoming-summer thaw of a Midwest spring. The writing and the artwork are both lovely. I quite enjoyed the novel, which certainly elevates the form.

Sunday, December 24, 2017

The Yiddish Policeman’s Union by Michael Chabon

The Yiddish Policeman’s Union by Michael Chabon
A junkie is murdered. His next door neighbor in the flophouse motel is down-and-out police detective Landsman, who wakes up beside “the shotglass he’s been dating recently.” Turns out the junkie was shot in the back of the head execution style by a small caliber automatic. And since all of the jews who live in Sitka, Alaska only have another few months before they are exiled into a world that will not take them, Landsman has to move fast.

Thus begins The Yiddish Policeman’s Union, a fascinating alternate history noir detective novel which ends up being a meditation on some of the concepts of judiasm and the self-made traps people and peoples find themselves unable to escape.

As a noir detective novel, this is high quality stuff, which embraces some cliché while defying others. As science fiction alternative history, the novel works well. As a piece of prose, the novel is beautifully written, with more great sentences packed into many paragraphs than many writers achieve in a lifetime. As a truly great novel wrestling with huge themes… Well, it tries quite hard. I’d be curious to know what others think, particular any jewish friends.

I suspect that Chabon may have been seen as a race traitor or an anti-semite by some; I did not find that to be the case, but then, I don’t actually know much about Jewish orthodoxy, and finding fault in one of the world’s major religions isn’t something I’m bothered by.

Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future by Ashlee Vance

Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future by Ashlee Vance
Elon Musk is a polarizing figure. His efforts at making fundamental changes to the way humanity approaches space travel, transportation, and energy are having a profound impact on our world. He’s the closest thing to an Ayn Randian hero that I’ve ever seen in real life. As I write this, the recent Falcon launch above Los Angeles is the subject of numerous Facebook posts, and the talk of the new Tesla’s phenomenal acceleration abilities is probably the most interesting thing to happen with cars in a long time. He has also recently offered to help Puerto Rico rebuild a new type of power grid, and announced a fleet of Tesla trucks to take on the economics of the modern long haul trucking industry.

This biography was inspiring. Musk’s life is interesting, atypical, and filled with a drive to transform the world in positive ways at almost any cost which make him nearly a literary hero in my mind. In a time when “the best lack all conviction”, this book paints a portrait of one who does not.

Vance attempts to be neutral, though it seems clear that he too has succumbed to some level of Elon worship. The guy is full of faults; he’s not very tolerant of failure and probably pretty hard to be married to. His efforts to craft himself in the image of Tony Stark could come across as silly hubris, except…. It’s working.

This man and the teams of engineers and marketers he has surrounded himself with are transforming the world.

An inspiring book, and a good reminder: “There are no laws or rules other than physics that you must adhere to.”

Blue Ocean Strategy by W. Chan Kim & Renee Mauborgne

Blue Ocean Strategy by W. Chan Kim & Renee Mauborgne
“To search for a Blue Ocean” has become a Silicon Valley, West Coast cliché. I was resistant to read this one as a result.

But overt the summer, on the way to a fascinating course at the Singapore Insead school, I read it and learned a lot. It turns out that knowing businesses should seek less-crowded spaces in order to thrive and knowing some very practical ways to accomplish this are not the same thing at all. And this book is filled with case studies and some terrific, lightweight ways of ideating and measuring this topic.

I stole a few of the case studies here on how to graph the customer proposition relative to the competition, added a little bit of futurism borrowed from Kurzweil, and created a game I called Blue Ocean that a bunch of innovative thinkers and I used to spend some delightful hours on whiteboards. Over the last three months the result has been ten to fifteen entrepreneurial ideas which – while not all completely practical – are at least deeply innovative and have not been seen before in this world. That’s not an easy thing to do in the modern age, and I give a lot of credit to Kim and Mauborgne for clearly communicating a framework for how to think about competition and the open spaces where it may not exist.

Very useful and interesting book.

The Girls by Emma Cline

The Girls by Emma Cline
Disturbing and patient portrait of a young woman who falls prey to a Manson-style cult in Califoria in the late sixties. She is exonerated of any murder charges, but becomes a minor public figure. In the novel, she reminisces about the steps in life that took her to the Ranch and got her ensnared in the cult.

The novel was well written, gripping, just lurid enough to be mildly titillating and deeply sad.

I read in the Times that Ms. Cline has been engaged in a fairly nasty series of lawsuits against an ex-boyfriend, with whom she lived while writing this novel. He has alleged that she cribbed some of the material in this novel from his work and that she “hacked his email.” While I know nothing about this case, I will say that I’d be absolutely shocked if this novel had been written by a man. It just rings too true with the awkward experiences that I suspect characterize girlhood.

Mindset by Carol Dweck

Mindset by Carol Dweck
There are two ways of approaching a problem: The “fixed” mindset suggests that ability to succeed is implicit, fixed at birth or based on innate ability. The “growth” mindset suggests that people can succeed based on hard work, incremental improvements, training and perseverance.

Dweck argues that those who approach life and work with a growth mindset are more successful in the long run; they work harder even in the face of setbacks. They are also happier, she argues.

This notion is now somewhat ingrained in our culture (at least in North America high tech business culture.) But at the time she wrote it, in 2006, this was a novel way of framing the difference in perspective.

Primal Leadership by Daniel Goleman, Richard Boyatzis, Annie McKee

Primal Leadership by Daniel Goleman, Richard Boyatzis, Annie McKee
This trio addresses the role of Emotional Intelligence in leadership. There are some very useful discussions here on how to build organizations that grow leaders as a nearly automatic function of their structure and cultural values.

Sections on how to increase positivity as a cultural force in the workplace, how to grow leaders who grow more leaders, minimize control and pacesetting values are all valuable. A section on various different styles of leaderships and how they can be effectively employed in different situations was also valuable.

There’s a lot of practical advice here. (“Cultivating special relationships whose sole purpose is to help you along your path, is crucial to continuing development. Mentors and coaches help you understand your strengths…”) etc. Most of us is presented in an unadorned style that seldom gets in the way of the message.

Generally, this is a valuable book for leaders. I wish I had all of these lessons implanted on a microchip in my brain; as it is, it’s challenging to always stop and use them in the head of the moment.

Leaders Eat Last by Simon Sinek

Leaders Eat Last by Simon Sinek
Mr. Sinek uses the metaphor of the Marine Corps chow line to discuss how leaders should run their businesses. He preaches the need to make people feel safe and happy in their jobs, to give them a sense of autonomy, mastery, and purpose. His writing is conversational to the point of being sloppy at times, but certainly accessible. He tries to tie lessons about leadership into an overarching thesis that humans’ biochemistry – as a result of evolution through natural selection – dictates how they perceive and respond to threats, camaraderie, and other social dynamics in the workplace.

When he dives into attempting to describe the way various neurotransmitters work in various office settings the work suffers. There's a lot of sloppy thinking masquerading as soft science. Indeed, Sinek will regularly offer a few sentences that are facty, if devoid of actual facts, then jump to a conclusion that is little more than metaphorical conjecture.

Example: "Oxytocin really is magical stuff. Mother Nature wants the ones who give to others to keep their genes in the gene pool." What? I thought we were talking about neurotransmitters, not magic. And I'm unsure of the role of Mother Nature in the evolutionary process. Unfortunately, language like this blunts the message Sinek is trying to deliver. And he is barely able to write a page without some of this kind of nonsense talk.

This isn't to say that there's not a valuable lecture here; this text would work great as a TED talk (which it started as) or as a series of lectures for undergrad business students. It's a decent, if shallow attempt to tie a basic understanding of the role of neurotransmitters in human motivation into hoary platitudes about the workplace. Dilbert meets Jared Diamond meets Malcom Gladwell.

Design Thinking for Strategic Innovation by Idris Mootee

Design Thinking for Strategic Innovation by Idris Mootee
I didn’t love this book.

The author had a half of a book here, very little of it fresh. And he stretched this lackluster content for 202 pages by publishing lots of poorly edited photos of boring business scenes, weak formatting, and excessive verbosity.

Consider, for example: “Within dynamic environments, foresight helps organizations better understand the variables influencing the pace, nature and possible impacts of change.” Well… Sure. But that’s hardly news. And the language is so tortured and poorly massaged that what little content there is here feels like it has been run through a Grad School Speak version of Google Translate.

Few of the ideas were wrong, and many of the little exercise suggestions in the book would be a good ice breaker at a strategic offsite… But that's about the best I can say.

Still, there were some good quotes in here from people like Warren Buffett.

The Leadership Challenge by James Kouzes & Barry Posner

The Leadership Challenge by James Kouzes & Barry Posner
Another Monicat gift, The Leadership Challenge is a sprawling 300+ pages on how to be a better leader. It covers topics like credibility, values, establishing a shared vision, how to empower others, how to encourage people to do their best, how to give feedback that is constructive, etc. There are a lot of very valuable lessons in this book, if nothing that feels particularly new. Still, anyone in a leadership role anywhere would likely be well served to pick this book up each morning, flip to a random page, then make sure they tried to follow the advice therein that day.

Pulp by Charles Bukowski

Pulp by Charles Bukowski
I’d never read any Bukowski, and he is certainly well known and referenced by everyone from the Red Hot Chili Peppers to Modest Mouse. For my birthday, the Professor got me a signed first edition of his take on the noir detective genre!

Except, this novel is a parody send up of the genre, and more of a meta-spoof on Bukowski’s impending death from leukemia. This was the last novel he wrote and he died shortly after completing it. The main character, Belane, is a dark-complected parody of Bukowski himself – a drunk, a misogynist, a layabout – and he does little but bum around making mistakes and waiting for “Lady Death” or “The Red Sparrow” to find them.

Cynical, short, and unsatisfying unless you’re a Bukowski fan or scholar, I should think.

I’m Thinking of Ending Things by Iain Reid

I’m Thinking of Ending Things by Iain Reid
What starts as an interesting sketch of a relationship sparling towards conclusion takes a turn for the Shutter Island and becomes a nightmarish dream sequence before falling apart completely by the end. Great tone in the first third, descent into the mind of a non-character by the end left me irritated.

Black Swan Green by David Mitchell

Black Swan Green by David Mitchell
What a beautiful coming of age novel, told with Mitchell’s pateience, keen sense of observation, obsession with the dialect of different ages, and his not-quite-in-focus-while-passing-through-the-background supernatural influence.

Black Swan Green tells us of a year in the life of a teenage boy in the small British Hamlet of Black Swan Green. He has a strange encounter with a Baba Yaga, probably dies, his dad leaves his mom, he deals with bullies and class and learns about girls and money and generally gets a year older. There’s just so much good stuff here, even wrapped in a fairly traditional bildungsroman.

I’m eager for David Mitchell to write more, because he is really quite good.

Something I’ve Been Meaning to Tell You by Alice Munroe

Something I’ve Been Meaning to Tell You by Alice Munroe

Alice Munroe has a terrific ear for the quiet emotions that motivate average people. This collection of thirteen short stories about the relationships between Canadian women speaks volumes in just over two hundred pages. Their secret fears and hopes and misdeeds large and (mostly) small are laid bare here if you’re patient enough to just listen; they’ll tell you all about their lives, and reading about them will enrich yours.

I’ll happily read everything Mrs. Munroe has written, and I only hope that it’ll help me get a little closer to being able to listen as carefully as she does to all the things people don’t say.

Saturday, December 23, 2017

Christmas 2017

It's time!

After an incredible, but incredibly busy year, I've finally got a little down time to update Word.

I'm writing this from a lovely little village in the mountains of Laos. Dr. Stout is here and we're enjoying breakfast. Coffee and an omlet laced with thai chilis.

While my reading has probably been a little slower than some years, and my writing has been almost nil, it has been a great year. I've learned a ton, we've travelled to some wonderful places, and have unlocked a few achievements professionally. The people I love all seem to be doing well.

Merry Christmas, all.

Here are the books that will be posted in the next day or two:

Something I’ve Been Meaning to Tell You by Alice Munroe
Black Swan Green by David Mitchell
I’m Thinking of Ending Things by Iain Reid
Pulp by Charles Bukowski
The Leadership Challenge James Kouzes & Barry Posner
Design Thinking for Strategic Innovation by Idris Mootee
Leaders Eat Last by Simon Sinek
Primal Leadership by Daniel Goleman, Richard Boyatzis, Annie McKee
Mindset by Carol Dweck
The Girls by Emma Cline
Blue Ocean Strategy by W. Chan Kim & Renee Mauborgne
Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future by Ashlee Vance
The Yiddish Policeman’s Union by Michael Chabon


-tf

Saturday, December 31, 2016

Good to Great by Jim Collins

Good to Great by Jim Collins

My friend the Monicat pushed this one on me, complete with all of her little notes, handwritten in the most precise script, never giving answers, just asking probing, sphinxlike questions in the effort to make me a better leader. Her timing of this gift was prescient; there are major changes coming in the structure of the company where I work which will push me to expand and extend my responsibilities. This will be great, but will force me to learn a lot quickly. And since I received this a few days before disappearing on a two week (relative) break in which I intended to try to be a little more reflective, particularly on my goals, leadership, and the traits that I wanted to continue and those I wanted to shed… Well, this particular prescription couldn’t have come at a better time.

Collins and team looked at a bunch of companies who dramatically outperformed their competitors over a sustained period of time, and tried to ask WHY they did. Then they attempted to distill the commonalities from these stories into a guide for how companies went from average performers in their market (Good) to market leaders (Great.)

I ended up with a deeply marked up book and two or three pages of useful notes from this book. Wish that I could spend two days discussing the lessons here with my fellow leaders at Kabam. But not today.

This is How You Lose Her by Junot Diaz

This is How You Lose Her by Junot Diaz
I enjoyed this novel about a professor from the Dominican Republic and the women he has loved and lost over the years. Diaz writes comfortably, fluidly, lyrically, and with lots of street lingo that feels convincing.

I really appreciated the gift of this novel. Diaz has a unique voice that I’d not been exposed to before, and I appreciated his inner nerd (Wintermute beach reference, etc.) that shined through from the DR womanizer narrator.

Will definitely read another of his books.

The Fireman by Joe Hill

The Fireman by Joe Hill

Some say the world will end in fire… And in Joe Hill’s long, sometimes bumbling novel, that’s certainly the case. This is a decent thriller and a half-hearted stab at the type of post apocalypse that his father did so fine a job of in The Stand. Unfortunately, we end up bogged down in small-camp politics and end up missing out on any greater theme or lesson. And since I’m using words like bogged and bumbling, I suppose that tells me that we also miss out on a particularly thrilling adventure or story.

Will still happily read more of Joe Hill’s work, but this was perhaps my least favorite of his so far.

Shantaram by Gregory David Roberts

Shantaram by Gregory David Roberts

Shantaram is a lovely sprawling adventure story and romance set in the Indian and Afghan underworld as seen by self-aggrandizing escaped convicted Austrialian heroin addict and thief. The novel I swell written, albeit in something of an over-the-top Pat Conroy style in which music and soul and moonlight and a generalized excessive romanticizing of the Indian subcontinent dominate the prose.

Our hero escapes to India, falls in with the locals, lives in the slums, is a heroic doctor, becomes a powerful and wealthy gangster, overthrows an evil madam, loves women, smokes a lot of hash, smuggles drugs, goes to prison, falls in with the mujahedeen, fights Russians in Afghanistan, and returns to Bombay.

There is a lot to like here, and I was happy for the recommendation. This book is alive with the magic and romanticism of India, as seen by Western eyes. This is exactly what Rushdie and Adiga are rebelling against, so in the larger context of literature about the region it suffers a little. But it is a lot of fun, and an enchanting story.

Red Country by Joe Abercrombie

Red Country by Joe Abercrombie

So then Joe took his barbarians into the realm of the classic Western, and it was kinda awesome!

A caravan of merchants, misfits, and those who have lost something important head out into the badlands of wherever. They have a few folks with mysterious pasts along for the ride. After a few adventures they arrive in a depraved town that is caught in the midst of an underworld conflict between two bosses. Our heroes pick sides, get involved in the wild west range war that ensues. Everyone mostly loses, but there are some great heroics along the way.

And yes, Logan is here, if you are an Abercrombie fan. Good times.

Little Star by John Ajvide Lindqvist

Little Star by John Ajvide Lindqvist

A childless couple finds a little girl on the side of the road. But she turns out to be some kind of a weirdo siren, who, as she gets a little older, ends up leading a bunch of other little girls into a weird American Idol style death-cult.

I like his writing, and I like some of his stories, but this one was a bit goofy.

Primal Leadership by Daniel Goleman

Primal Leadership by Daniel Goleman

I am fortunate to have a colleague who spends a lot of time thinking about appropriate books for me to read that will help me become a better leader, better executive (which is what I seem to be these days. Gulp!) She thoughtfully annotates these HBR style selections with little notes – questions mostly – and they are almost always very timely and thoughtful.

Primal Leadership mostly told me that I need to quit being such an aggressive boss and “pacesetting” all the time. This is good advice, and the book had a lot of other good advice too, covering a bunch of types of leaders and common leadership foibles. There’s probably something here for almost everyone who is a manager. The key lesson for me was to quit pushing people so hard. Good advice.

The Sunset Limited by Cormac McCarthy

The Sunset Limited by Cormac McCarthy

This wasn’t a very impressive dialog. One guy convinces the other guy that life is shit. That’s basically it. I was unimpressed; just felt like a nihilistic sketch without anything interesting to say or any particularly strong language. Given that McCarthy is such a powerful writer, this one just felt like an exercise that he published to capitalize on the strength of his name.

Lolita by Vladamir Nabokov

Lolita by Vladamir Nabokov

“I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita…”

I read this book for the first time my twentieth year, when I was much closer in age to doomed Dolores Haze than to its protagonist. I recognized it then as a masterpiece and a beautiful, powerful, troubled account. Upon rereading it this summer on an extended trip to China I was struck again by the power, the majesty, the terrible tragedy and love of this story. Lolita is a heartbreaking love story between a terrible Old World Grendel and crass, blossoming overripe adolescent America. This is a heartrending feat of sculpting with language.

From the opening paragraph to the closing sentences above, Nabokov’s showy florid prose is both electric and elegiac. This is the kind of writing that makes anyone (me at least) want to put down their pen in despair, with the certain knowledge that you will never write a single page as good as what he is able to deliver in the hundreds.

There isn’t much new to say about this tale that hasn’t been said before. I don’t think I’ll try, except to mention for my own notes that HH’s heartbreak over his inability to achieve any truly lasting immortality with Lolita (who is- at best- destined to grow beyond the transcendent moment of nypmhetism that so captures him) struck me as a reflection on the deep tragedy of any pair of lovers ever to live: None will ever know all the secret languages and moments and passions and conflicts and hopes of a couple but that couple themselves. The full-near-to-bursting emotions and secrets of love that (hopefully) almost everyone is lucky enough to experience at least once in life are doomed to pass, unremarked, unknown and forgotten by everyone else, to disappear, “like teardrops in rain.” Beyond embodying all of that love in offspring – children – then, the creation of inspired art, like this wonderful novel, is the only immortality that lovers may ever share.

Happy New Year 2016

It has become fashionable of late to blame the year 2016 for those things which have occurred within it. And make no mistake, some very stupid or unfortunate things did occur. But on balance, for me, 2016 has been one of the best years of my life. I'm writing this today from a place that I couldn't have imagined I would ever end up, high above the Mediterranean overlooking an ancient city, watching dawn rise on golden stone. Professionally and personally things just seem to keep getting better. The good Doctor and I are happy, we live in a beautiful place, there's a cat who is spoiled beyond belief, and he is constantly surrounded by books in his library in the sky.

I feel like I read less each passing year. I blame it on these fiendishly convenient and engaging little devices which allow us to bring games and social connections and all of the wonderful stupidity of the internet to bed with us. It's too easy to pick up the ipad and play a game. And then, there are a few elements in this grand and complicated life that distract from reading. But, at the same time, there's been a whole lot of plane travel this year, and a lot of nights in hotel rooms, and these are places that help me focus on the book at hand.

I hope that 2016 was not the flaming-trash-fire it has been popular to call it for you. I hope your life exceeded some of your greatest expectations, as mine did. And I hope you got to read a lot of words. After all, they're all we have to go on.

12/31/2016
-tf

Monday, December 28, 2015

Slade House by David Mitchell

Slade House by David Mitchell

A short collection of vignettes which reveal the mystery of the sinister Slate House. This is the least impressive book of Mitchell’s that I’ve read; it felt like a few notions from his earlier works that barely amounted to a look at a haunted house tale.
The prose is fine, but unimpressive. The revelation(s) are obvious from a long way off.

I enjoyed this book, but it is nowhere near the level of quality of some of his other works.

Cloud Atlas by David Mitchell

Cloud Atlas by David Mitchell

Mr. Mitchell’s epic Cloud Atlas spans several centuries, leaps continents and cities in a single sentence, comprises itself of at least five different variants of the English language, and flirts with as many different forms. This is not one novel, but a collection of novellas which loop and coil around one another, inform one another, flirt with greater themes and truths while still (mostly) managing to maintain a coherent shape and an approachable style. This is a masterpiece written by a truly gifted and disciplined craftsman.
Structurally, this book sprawls across five stories: The Pacific Journal of Adam Ewing (a diary), Letters from Zedelghem (an epistolary), Half-Lives: A Luisa Rey Mystery (thriller), The Ghastly Ordeal of Timothy Cavendish (memoir), An Orison of Somni ~451 (interview), Sloosha’s Crossin’ an’ Ev’rythin’ After (oral history), and then back through each of them for a second visit in reverse order. Each is quite different, sometimes they stop in mid-sentence.

For this reason, the book is long and occasionally frustrating, in the way several of Mitchell’s books can be. Just about the time you’ve got a grip on the new language of a particular section, just as you’ve started to really become engrossed in the narrative or the trials of a particular character, Mitchell changes the channel on you. The metaphor of channel surfing feels appropriate somehow, because it feels that abrupt and disconnected. But unlike channel surfing, these stories are intertwined, sometimes if only at the “butterfly flaps its wings in China” level. And there is a greater whole presented with themes that seem to carry throughout other Mitchell works.

This is a great writer with something to say and a powerful drive to transcend the confines of genre fiction.

I finished this one the morning of December 19th, 2015, the day after our 11th wedding anniversary. We have just arrived here on Dragon’s Cove for two weeks. There is a rainbow over the violence of the sea just to the west and the strange old witch house creaks and groans a little as it warms up.

Time for another cup of coffee.

Ghostwritten by David Mitchell

Ghostwritten by David Mitchell

Ghost written is one of Mitchell’s early works. It consists of a collection of stories which are connected only through tenuous links. The boy who runs the music shop in the first tale happens to sit near a man from the second tale, and so on.
There is a lot of terrific writing here, and we manage to span the globe, from a lovestruck record store clerk in Tokyo to a Russian con-woman to a Chinese peasant. Almost each of these tales is compelling in one way or another.

The themes and stylistic trademarks that Mitchell will end up getting a lot of praise for in later works are almost all right here. Good stuff.

The Thousand Autumns of Jacob de Zoet by David Mitchell

The Thousand Autumns of Jacob de Zoet by David Mitchell

Jacob Z is a low level Dutch clerk who has just landed on the Dutch occupied spit of land just off Nagasaki from which trading enterprises with Imperial Japan are conducted. The dutch are the only country allowed to trade with Japan for decades and this is the only allowed port. Dutchmen (there are no women present) are only allowed to visit the mainland under heavy supervision. Jacob Z rises in prominence, discovers corruption, falls in love, and meets a powerful mentor. Time passes. The intrigues of the local warlords get complicated. Samauri are involved!

The prose is beautiful. It’s David Mitchell. We get a couple of dizzying perspective shifts and a few abrupt time lapses. The result is an epic, beautiful pastiche of a few lives in a strange place with a few hints of magic. Terrific work.

Perhaps my favorite of the Mitchell books. Perhaps.

The Bone Clocks by David Mitchell

The Bone Clocks by David Mitchell
This was the first of the David Mitchell novels I read. It was a gift from my aunt, Terry. I was blown away.

First, the writing is really good. Really good, filled with observations and techniques that elevate this one from a novel to literature.

Second, the plot and structure floored me. In what (I now recognize) is David Mitchell’s style, we jump from narrative to narrative, across a span of many years. Of course, they are all interconnected, though it is hard to see how each time we jump narratives.

I don’t want to give away much more here, except to say that this one paid off for me every page along the way, and paid double at the end when I was able to look back and finally see the epic expanse of what he had done.

So I immediately put everything else on the nightstand on the back burner and went out to buy as many of his books as I could find… Since Vancouver no longer actually has, you know, bookstores, I had to go to Tokyo to find the next one, just a block off Shibuya crossing…

The Martian by Andy Weir

The Martian by Andy Weir
Finished this one on a trans-Pacific flight from Canada to China, safe in an awesome spaceship operated by Air Canada. I’ve never read a more delightful, more scientific, sci-fi novel.

Mark Watney gets stranded on Mars when the NASA mission he is a part of goes sideways. Alone, without communication, he… I will tell you no more. But suffice to say this tale is never dull, despite being peppered with hard science. Mark is one of the more likeable heroes I’ve read about in a long time. And while the “man-vs-nature” core conflict seems like something that would have gone out of fashion around the time of Stephen Crane, this one manages to be vastly more engaging than, say, Tom Hanks talking to a volleyball.

The Martian is a light, joyful celebration of human knowledge, scientific inquiry, and the human spirit. It’s also a fine adventure story, and a superb lesson in how to use language to make what could be dry subjects interesting.

The Last Kind Words Saloon by Larry McMurtry

The Last Kind Words Saloon by Larry McMurtry

McMurtry pops the bubbles of several of the western hero clichés in this short novel. Doc Holiday, Wyatt and the Earp Brothers, Charlie Goodnight, Quanta Parker, and a few others bouce from Denver to Texas to Tombstone Arizona. None of them are portrayed as heroic figures; their deeds are pointless, their mistakes and foibles all too human, their lives short and mostly ugly and without meaning.

The writing is elegiac, sprightly, and the dialog humorous in the way that many of McMurtry’s dark/light cowboy duos are. His treatment of gender relations is pretty similar to what he has done elsewhere, in which clueless, work-obsessed men disappoint their ladies with their fumbling lack of social grace.

The only thing that perplexed me was this: McMurtry is busy setting up and knocking down legends here; taking clichés and masterfully subjecting them to the harsh spotlight of a modern sensibility on what they might have really been like. (The casual domestic abuse scene, for example.) But when it comes to the Indians, they are mostly treated like stage villians, no more nuanced than Blue Duck in Lonesome Dove. They torture whites for fun, roast genitals, “invade the privates of female captives with fireants” and so on. The savage redman cliché is treated here with all the nuance of a Michael Meyers film. And I’m not sure why, because LMM certainly is aware of what he’s doing.

The “showdown at the OK Corral” for which Tombstone is best known takes place in less than two pages; we watch see Wyatt Earp’s last days as a geriatric suffering dementia in Santa Monica, well into the age of the automobile. He was, in McMurtry’s telling, a legend who never deserved to be remembered.

A Deadly Affair at Bobtail Ridge by Terry Shames

A Deadly Affair at Bobtail Ridge by Terry Shames

Terry’s newest book is more sure-footed, denser, and darker than Samuel Craddock’s previous escapades have been. Samuel himself is a more nuanced character here (he makes the occasional mistake, and has moments of self-doubt.) Feels like we’re moving away from the small-town cozy and towards a more mature and complex mystery. Though there are very few surprises here, because the whodoneit part (and even the location of the body) is telegraphed quite heavily, there is enough other stuff going on here that I was engaged the whole ride. There’s still a little bit of art, a lot of cinnamon rolls and iced tea, some horses and cows, and some Texas dialect. But mostly, we’ve got a chief-of-police tracking down a couple of (long cold) murders and digging up dirt (literally!) on the moderately sordid past of an old friend.

I enjoyed this one a lot and am eager to read the next one!

Meditations on Violence by Rory Miller

Meditations on Violence by Rory Miller
Lately I’ve been casually teaching a few of the folks at the office the basics of boxing and krav maga. I’m certainly not a truly qualified instructor of either of these disciplines, but I’ve spent a lot of time trying to learn both over the last decade. Sgt. Miller’s book and his instruction in-person in Austin stuck with me. So while I’ve read this one before, I found myself going back to it to think about how I should modify my lesson plan. I reread it over a very long week here in the glorious Vancouver summer.

Miller’s experience with violence- mostly through his work as a corrections officer- seems as if it makes him an expert on the topic. I enjoyed his thinking and writing again, through I find myself raising an eyebrow at least every page or two at what seem like tall tales. (“Sarge didn’t even spill his coffee!”) Still – in my limited experience, this is a unique book, which focuses on the delta between martial arts training and real world applied violence. And it is a useful lens for thinking about how to teach folks a little self-defense.

Stone Mattress by Margaret Atwood

Stone Mattress by Margaret Atwood
Collection of short stories, which purport to be “wicked” but often fall pretty far short. The first of these is the best and the remainder gradually slide downhill. Atwood herself-- or at least an elderly female Canadian writer of fiction—appears as central to most of these tales. And there’s a fair amount here that feels like it is revisiting the Toronto writers scene from the sixties. Are these the same people we met in The Robber Bride? I’m not sure, but there are similarities.

She’s a good writer, and the language is solid, some of the imagery neat. (Particularly in the first story of the collection.) But overall, her body of work is much, much stronger elsewhere, so this is probably only really interesting to the completionist.

The Five Dysfunctions of a Team by Patrick Lencioni

The Five Dysfunctions of a Team by Patrick Lencioni

The Five Dysfunctions of a Team is a modestly interesting management book on how to better structure interpersonal realtionships between company leaders. Presumably the lessons here could be applied to any working group, but they seem particularly focused on top level executives. There are a lot of feelings here and the book is pretty focused on the way people interact with one another rather than establishing core competencies, thinking about how to load balance effort, strategies for establishing dominance in a market, dealing with competitors, etc. Basically, if you’re interested in thinking about how some group of senior level people at your company might not be getting along well, this book might be interesting for you.

The most interesting element here is the way he tells the tale, by using a fictional Silicon Valley company and showing us the interactions of their leadership group throughout a few meetings. Sound dull? Well… It is. But it is still far, far more interesting than the epilogue, in which we move from the parable format to a more direct checklist. Here’s the list of the Five Dysfunctions:

Absence of Trust
Fear of Conflict
Lack of Commitment
Avoidance of Accountability
Inattention to Results

Now as a framework for thinking about your team or studio or company this is a pretty decent place to start. And that does make this book useful if you’re the kind of person who has ever stood in front of a whiteboard and tried to get others to think about how your organization could improve. If barbarians with axes, or gumshoes, or cumshots, or vampires, or futurism, or whooshing spaceships, or martial arts, or geopolicitcs are your thing instead.. Pass.

The Heroes by Joe Abercrombie

The Heroes by Joe Abercrombie
There are no heroes here.

And no one gets to escape. They are all bound into a senseless and brutal conflict. Most of them die, usually after being maimed, defeated physically and spiritually, and end their lives morally bankrupt and mostly unmourned. There are no heroes here.

If you like any of Abercrombie’s work, you’ll like this. The focus stays mostly on the barbarians. These are men who know the legends of Threetrees and the Bloody Nine but not much more. Perhaps a few of the older Named Men fought with (and against) them a few times, but for the most part, those days are quickly fading into legend.

Byaz and the knights of the Union are here, also not being heroic. They try. But they fail, when stupidity, arrogance, cowardice, or other human frailties end up putting them in the mud.

There are no heroes here, but Abercrombie writes a high octane tale of three to five different factions in a local protracted skirmish that ends up with a lot of people dead. It’s an anti-war novel, in fact, and none the worse for treading familiar ground in both genres. Hardcore barbarian battle fantasy and Catch-22 style anti-war are seldom found in the same body. Nice work.

But there are no heroes here.

Revival by Stephen King

Revival by Stephen King
The preacher starts messing with electricity. Fate deals him a rough blow and his fortune becomes tied with a small boy. Each travels through a few decades of America in the back half of last century. Their paths cross on occasion.

The preacher gets dangerous, becomes a demagogue and a revivalist. He cures people, but… They have unexpected side effects. Perhaps because they are ripping a tear in the warp and weave of things and starting to let in parts of the Great Old Ones? You’d have to read to find out.

This is King, so it’s a good yarn, loads of jus’ plain folks writing, and a whole lot of the author’s love of rock n’ roll and Americana.

Best Served Cold by Joe Abercrombie

Best Served Cold by Joe Abercrombie
In a land without honor where only money and murder have value a rough and tough merc leader and her brother are betrayed.

She crawls back from death, gathers a collection of troubled badasses and ruins all their lives in her singular pursuit of vengeance.

I like Abercrombie’s violent, dystopian take on fiction. For my money, he’s better than Jar Jar Martin.

Naomi’s Room by Denis MacEoin

Naomi’s Room by Denis MacEoin

Atmospheric and sad horror novel that ends with a skull-crushing nose-dive into clichéd resolution. It was the ancient crap in the attic from the time the house was owned by that eeeevil guy who did the eeevil stuff. Too bad he ate your daughter’s soul, dude.

It’s been a while since I read this, and I recall that the writing was acceptable. I remember thinking the scene in the London shopping center when the girl disappears was compelling; I could feel the growing terror in the main character as the terrible realty that his daughter had been kidnapped

The Way of Kings by Brandon Sanderson

The Way of Kings by Brandon Sanderson

Sanderson’s big new epic fantasy series got a lot of love from the right corners, so I picked up a thousand page paperback brick and threw it in the bag for Vietnam. Perfect beach reading, even on too-windy a beach near an ancient city far away…

Good battles. A few interesting heroes and anti-heroes cavort around, a couple of coming-of-age plots that felt a bit tired unfold. There’s a cool system of magic, and a focus on interpersonal intrigue. My biggest beef is that the scenes between men and women in this book are almost all terrible; does anyone ever actually have sex in this universe? I don’t think so.

I’d read the second one. In fact, I’ve owned it since the day I got back but haven’t started it. Hardback.

On Such a Full Sea by Chang-Rae Lee

On Such A Full Sea by Chang-Rae Lee

She travels across a ruined, crappy dystopian land in search of her brother. The writing is decent, but nothing amazing. Then she ends up in the city, where she is some kind of a weird slavegirl to an elderly couple. Luckily, her brother is one of the most celebrated neurosurgeons in the land or something, and… I just can’t remember. This one didn’t make much of an impression on me.

Vietnam by National Geographic

Vietnam by National Geographic

As mentioned previously, the National Georgrapic series of travel books do a very fine job of giving the flavor of each place without being such an exhausting phone-book-catalog of temporal restaurant and hotel details. The National Geo book on Vietnam gives us lots of pictures and glossy highlights of each town and borough, along with lightweight historical context for why a place is the way it is now.

We used this book to plan our 10th wedding anniversary trip to this wonderful country… And we had a ball. I’ve written more on the subject elsewhere, but here’s a little timbit on one of the things I will most remember:

“And oh God the food. Never have I been to a place with such an obsessive interest in food, and no country I have visited has such a wealth of incredible, diverse dishes. In each of the four cities we visited there was nary a square foot in any ally or sidewalk which wasn't taken up by people cooking or eating. The calendars hawkers tried to sell on the street were not of fast cars or local girls, they were of the monthly specialty soups. From French coffees and baked goods, to the freshest of herbs, to the dozens of kinds of noodle, to high quality delicious grilled meats of every kind, Vietnam wins the gold ribbon for food. If you are a foodie, a chef, or a cook you owe it to yourself to come here…”

After Christmas, Before New Years

It's time!

From a little pub in the charming town of Yachats where we come each day to check internet...

Updates coming for a collection of novels, including most of the David Mitchell collection!

-tf

Sunday, November 08, 2015

Long Overdue

It's been a while since the grey day in February when I last updated this blog. The world keeps turning. It doesn't slow down.

We've had many adventures this year. Perhaps in a month or so I'll tell you about a few of them. China, Boston, Japan, Cali, Stampede, Texas, the Rockies.

It's rainy grey fall overlooking the harbor. We had a relaxing weekend. Macbeth, Onesies party, Tableau, Main Street with friends, flaming orange and red trees and puddles on the seawall. Halloween is behind us now (vampire black-tie affair followed by karaoke!) Dragon Cove is just a month away.

And there have been quite a few books.

On Such A Full Sea by Chang-Rae Lee
The Way of Kings by Brandon Sanderson
Naomi’s Room by Denis MacEoin
Best Served Cold by Joe Abercrombie
Great North Road by Peter x
Revival by Stephen King
The Heroes by Joe Abercrombie
The Five Dysfunctions of a Team by Patrick Lencioni
Stone Mattress by Margaret Atwood
Meditations on Violence by Rory Miller
A Deadly Affair at Bobtail Ridge
The Last Kind Words Saloon by Larry McMurtry
The Martian by Andy Weir
The Bone Clocks by David Mitchell
The Thousand Autumns of Jacob de Zoet by David Mitchell
Ghostwritten by by David Mitchell
Cloud Atlas by David Mitchell

And perhaps one more...

Coming soon!

Happy autumn,
-tf

Saturday, February 14, 2015

Uvarum Double Feet



My father, Henri Victor Fields, died this morning on Valentine’s Day 2015.

He was born in East Texas in early May of 1947 to Maggie Peal Fields, an artist, and her much older husband, Harry Fields. He grew up there in Frankston among the towering pines and humid sticky days. Harry worked for the Texas Railroad Commission at a train depot near the small central square. Before long, Vic had a little brother, Gene Fields. Copper haired to Vic’s sandy blonde, cheerful and at ease with people, Gene and Vic occupied different ends of a spectrum in many ways, very similar in others.

Vic was exceptionally bright. He told me he would read the dictionary, one word at a time each night. According to Vic, during the nineteen fifties Maggie and Harry rented out parts of their house on Commerce Street to travelers. Maggie made biscuits and Harry worked at the depot, and “Little Fields” grew up among the strangers at the boarding house and the nosy rhythms of a small town. Stories of Vic and his brother’s adventures in East Texas were the fables of my young life.

Maggie was a painter throughout her life and Vic grew up in a house of artistry. He and his little brother had a fondness for pranks, many of which are probably the things his friends remember best about him. For example, Harry had a fear of fire. Vic and Gene made what looked like a giant match from a broomhandle and painted plaster. They would run through the hall of the house in Frankston pretending to strike this giant match on the floor. Another time, they apparently rigged up a telephone in a treehouse and used it to call far off places. (Russia is how the story goes.) I suspect this was as much Gene as Vic, but my Dad’s telling of the tale made it easy to imagine the two little boys giggling and reaching out to a larger world from a platform in the boughs of the great pines.

The boys had a dear cousin, Ange Lyles, whose mother was close with Maggie. Angie and her mom lived there for a while in Maggie’s house. Many of Vic’s early stories involve Angie, and sepia photos from that time show a girl with big cheeks and bigger eyes peering at the boys from the porch. The cousins remained close throughout their lives.

Vic strove to get out of Frankston and eventually made it far. By all accounts he was a gifted student at the local highschool, where Maggie also worked as a librarian as the boys grew up. Upon graduation, Vic was (as the story goes) the first boy from his school to ever attend University. In the summer of 1967 Vic headed off to college at the University of Texas in Austin. Around this time, the boys played in a band. Vic told stories of trips to Austin to play, though one suspects Gene was the better musician of the two.

Within a year or so (after, perhaps, a semester spent back in East Texas, where Vic had to do penance at Henderson college for having had a little too much fun and spent too little time with his classes) Vic moved into La Voyager apartment complex, north of the University Campus in Austin. Next door lived a long haired, dark eyed beauty named Sherry. She studied studio art at the University. Their first date was the weekend of Texas Roundup, an event in which neither of them participated. Before long they were married and had a Siamese cat named Old Kitty. This started one of their many traditions. For the rest of Vic’s life, there was always a Siamese in the house.

Vic studied political science and Sherry studied art. They drank beer at Shultz’ Beer Garden and lived on the periphery of the counter-culture movements of the late sixties. Vic loved Bob Dylan, Simon and Garfunkel, The Beatles, the Stones. After graduation they bounced around a bit. They lived in Denver as ski-bums for a season, in Cincinnati, and then returned to Dallas for graduate school. Realizing that Vic had a mind and focus which could go far, a professor there recommended him for the University of Columbia’s Russian Studies Institute in New York.

They moved to Manhattan, lived on the Upper West Side near Columbia. Vic studied Russian language and politics there. Sherry worked at Saks Fifth Avenue initially. They fell in with the Columbia poli-sci literati and often told stories of their peers and mentors there. One of these was former US National Security Advisor Zbigniew Brzezinski, “ZB,” about whom they told stories.

In the later stages of the PhD program there at Columbia, Vic was approached by the Central Intelligence Agency. All but the dissertation done, he and Sherry left New York for the woods and suburbs of Langley, just West of the Potomac. In the height of the Cold War, he worked for the CIA as an analyst, building dossiers on members of the Politboro. He told stories of CIA role playing sessions in which each of them acted the part of a different minor official in Moscow, trying to consider the angles of spycraft that would give the US some advantage.

As the story goes, Vic was eventually tapped to move to Russia for a year under some bogus pretense. Sherry was recently pregnant, and they declined. Instead, he took a job with Dow Chemical, which had plans to expand their distribution in the Soviet Union. They moved to Chicago, where they had two boys.

But the lure of academia called. (And probably the joy of raising a family on a chemical salesman’s wage amid the snow and strife of Chicago in the late seventies waned quickly.) They moved back to Texas, to Lubbock where Vic entered law school at Texas Tech University.

Sherry worked as a City Planner, Vic learned the law. Soon, a third child was born. A daughter. Blonde and big eyed. Lauren. Weezel. Vic made friends there; some of these would remain close to him for decades. They drove out to the Pinky’s liquor store and drank Coors beer and talked about professors.

After graduation they moved back to East Texas and lived for a while in Maggie’s old house again. Brother Gene and his wife, Jemmy, lived nearby as well with their daughters, Robin and Allison. It was a house of kids and art and music and noise and southern cooking. Vic took a job with the Ramey law firm in Tyler while Sherry probably went a little bit nuts killing time in rural East Texas.

They moved to Tyler, to a two story house on Pinecrest Street. Near a few blocks of undeveloped woods they raised three kids, several cats (still Old Kitty, but also Houdini), and a pile of Golden Retriever puppies, beginning another tradition that would last throughout Vic’s life. (Rusty begat Scout who begat Ranger. Is that how it goes? Close, maybe.) The kids went to school, joined the scouts as Gene and Vic had, learned to cuss. Sherry worked as an artist. Vic made partner at the law firm.

His love of pranks continued. He would stop at a local nudist colony out on the interstate and sign up the other partners for mailing lists. Once, when going to a fortieth birthday party for another lawyer, he bought a pig from an East Texas farmer. He took the pig to the party, wearing a sign that said, “Happy Birthday!” Everyone got a good laugh, and when the party was over, they expected Vic to take the pig away. Of course, he just smiled and said, “Nope. This is your pig now.” (See, Vic knew even then that pigs could not be rented. Once you owned a pig, it was yours!)

Vic developed a running habit then, in the latter part of the eighties. He ran from the house to a nearby lake, on the grounds of the University of Texas at Tyler. He saw foxes there, and ducks, and would take Rusty on some of these runs. He grew more intense, grim. He would fill up a backpack with encyclopedias and dictionaries and run. Around this time he also developed an enthusiasm for backpacking and dragged his family along on several truly brutal treks among the peaks of the Rockies.

He loved the mountains, particularly the Continental Divide near Pagosa Springs, in Southwestern Colorado. He also learned to scuba dive around this time, and took his family on several vacations to Grand Cayman, where we swam with stingrays and saw sharks deep down along a wall.

But Vic was discontent as he approached forty. He struggled then with a depression that had likely been with him since his father had succumbed to dementia some years before. The fear of losing his mind was a great cloud on Vic’s horizon, and he spoke often of it in these years. Needing a change (and probably fearing that their children were growing up a little too East Texas redneck for their more liberal tastes) Vic and Sherry moved again, this time back to Austin. They moved in circles sometimes, I guess.

In Austin they rented a house in the hills west of town, and Vic became a partner with Davis and Davis law firm. Mike, Lauren, and I grew up, wrecked cars, got mediocre grades, made friends. Ripened. Vic worked with insurance companies and chemical exposure cases. Sherry painted and threw pottery. Old Kitty and Houdini were replaced by Dragon.

Vic and Sherry bought a house at 503 Westlake Drive, on an acre of hill country. They raised kids and built a beautiful home. Vic and Sherry’s Dad and the kids laid out what seems like miles of flagstones, built ponds and a deck. The house was a hub of youthful activity, parties, energy, romance, music. Vic started his own firm, hired minions. Some of these turned out to be friends. The family went on a grand vacation to Europe in nineteen ninety four. We explored the Swiss Alps, the Catacombs of Paris.

The kids grew up, moved out, but not too far away for the most part. Vic stayed active in his children’s lives. He would often stop by with a pint of Haggen Daaz Dutch Chocolate, Anderson’s Coffee (only Alfred’s Blend, of course), a bottle of Morgan Pinot. He continued to work at the law. I remember stacks and stacks of papers in his office. He once told me that after twenty years as a lawyer he couldn’t stand to look at papers or even read much anymore.

But he did read, and one of the things he read, likely the last book he ever read, was Lonesome Dove, by Texan Larry McMurtry. He enjoyed cowboy shows, and the myth of the last cattle drive appealed to him. In the story, two old friends, one light and one dark, go on an epic journey from South Texas to Montana. He could quote Lonesome Dove almost verbatim, along with loads of Dylan lyrics. Sometimes we would talk mostly in “Lonesome Doveisms” and Dylan verse; no surprise that the kids who came around thought we were pretty weird.

In Lonesome Dove there’s a sign that hangs above the South Texas ranch. The sign reads, most memorably, “We Don’t Rent Pigs.” But far below that it has another saying, a motto, written in latin. Uva uvam vivendo varia fit. At one point Coll, the serious one, teases Augustus, Gus, the light-hearted one, saying “You don’t even know what that says. It could be inviting someone to rob us.” To which Gus replies, “If anyone comes along who can read that, I hope they do try to rob us. I’d like the chance to shoot at an educated man once in my life.”

Later in the story, when Gus dies, Coll vows to bring his friend’s body back to Texas, to an orchard just south of Austin. He carries the body of his friend all the way back on the sign. The part in latin is the only piece which makes the whole journey, and ends up becoming the tombstone of Captain Augustus McCrae. It means, loosely, “Some grapes help other grapes to ripen.”

If you've been to 503 in the last twenty years you've seen the sign, or at least a replica, made with real old square nails and burned in wood. My brother and I made it for Dad. He freaked out, because he thought we’d stolen it from the museum in South Texas where the film prop hangs.

One grey day in February, a lot like today, while we walked on the stones on the shoreline at Burnet Marine Park, near Vancouver Canada, amid very different piney trees than the ones he had grown up amongst, Vic told me he had been diagnosed with Alzheimer’s. He was fifty eight years old.

He made me promise then that he would never end up in “Rusk” like his father had. I expect he made a bunch of people promise him this. He was scared.

He quit the practice of law and lived for another ten years, in his home, at 503. He had quite a few more adventures. We spent a Christmas along the Continental Divide. He came to visit us in Canada and explored the woods and coastline and mountains here. He visited his brother and spent time with Maggie in the later years of her life. He became a grandfather to Mike’s son, Greyson Fields.

Vic got his wish. He lived at home, at 503, on the porch, with his Golden Retriever, Ranger, and his Siamese cat, Blue Duck, near his Lonesome Dove sign. In the summer the yard filled with fireflies and the sound of frogs from the pond below. He ate all the Haagen Daaz he wanted. Last summer he and Gene had a reunion in Central Texas. They drank too much Shiner Bock beer, and listened to Dylan and the Stones. Sherry and Mike looked after him right until the end. In the last six months of his life he was a sad, scared skeleton. But he was surrounded by family, in a comfortable and familiar place that he built with his wife, his family, his hard work, and the strength of his younger mind.

Lauren and he sat on his porch swing and drank coffee in one of his last lucid moments. Alfred’s Blend, of course.

Some grapes help other grapes to ripen. Lauren will be one of those. Like Mike is for Greyson. Like Vic was for us.